A scene with three images: a glowing blue face sculpture, two people by an open refrigerator in a messy kitchen, and a cartoon popcorn box character on a wall.

First Look Inside 3 Original Houses for Halloween Horror Nights 33

Katie Francis

In a first for the event, Universal Orlando Resort kickstarted spooky season on August 11 this year with Behind the Screams: Unmasking the Horror tours, giving us a chance to look inside three original houses for Halloween Horror Nights 33.

Behind the Screams: Unmasking the Horror

In the past, these lights-on guided tours have only been available after the start of the event. This year, Universal is experimenting with early access. The other Unmasking tour, which sees behind the scenes of six houses, is not available until September. For our tour, we had the opportunity to go inside The Museum: Deadly Exhibits, Slaughter Sinema 2, and Triplets of Terror.

Warning: This article will contain photo and trivia spoilers for Halloween Horror Nights. The images will also contain gory/graphic content typical for Halloween Horror Nights. Viewer discretion is advised.

On Behind the Screams tours, guests are taken through select houses by an RIP (the spooky version of VIP) tour guide. Audio and video recording are strictly prohibited, but photos are allowed in certain areas as instructed by the guide. Below is a sampling of the horrors that await guests this season. We won’t give everything away as we highly recommend these tours and don’t want to spoil all their secrets.

The tours begin at $99 for the 3-house version and $180 for the 6-house version. The lineups are different, so there are no repeats between the two tours. This means that one house is excluded each year — for 2024, A Quiet Place will not be offered on either tour. (The excluded house is often a big-name Intellectual Property for a variety of reasons. These IPs also often severely restrict the available areas for photos. For example, The Last of Us was included on last year’s 3-house tour, but only allowed photos in three small areas.)

Bookings for Behind the Screams tours can be made online.

Inside Three Original Houses

The Museum: Deadly Exhibits

An outdoor scene features a brick building with a peaked roof, situated next to a tree. A large white tent is partially visible in the background under a blue sky with clouds. One of the HHN 33 original houses

The first of the original houses on the tour is The Museum: Deadly Exhibits. The house takes us inside the Museum of International Folklore, where the latest exhibit has opened: The Rotting Stone. The Stone is said to be cursed, but so are a lot of ancient artifacts. What could possibly go wrong?

Sign on a brick wall reads "Museum Deliveries Only" with an arrow pointing right. Below the text is the logo of the Museum of International Folklore.

The house is set up like a museum and the sets are not inherently scary (though there are some dead bodies already inside). We’re entering after hours, so the victims are all museum employees. Some Scareactors are portraying artifacts and objects inside that have been affected by the Rotting Stone, like a possessed desk.

A poster on a brick wall announces "The Rotting Stone" opening soon in Fall 2024, presented by the Museum of International Folklore.

The Rotting Stone is part of the museum’s exhibit on “Humanity’s Stories of Death.” (That’s not ominous at all).

A wall with admission prices and a program flyer. On the left, shelves with various items and a desk with a book, vase, and bowl. On the right, a flyer about kids' culture programs in a clear holder.

We enter the museum’s lobby to a juxtaposition of Kids Culture flyers versus the dead body across the room.

Flyers and pamphlets titled "The Rotting Stone" and "Humanities Stories of Death" are scattered on a counter next to an empty chair, advertising a folklore event scheduled for Fall 2024.

Behind the Screams tours allow guests to see details like these fully-fledged brochures discussing the exhibit.

A sign reading "The Rotting Stone Fall 2024" is displayed. The banner features a skull in the lettering and is presented by the Museum of Natural Horrors. Wall decorations and light fixtures are also visible.

The rot is already present in the lobby, having spread all the way from the Rotting Stone’s home at the end of the exhibit. The building is decaying badly enough that displays from the floor above are falling through.

A mannequin in a suit sits slumped in a chair beside a small table and a potted plant. The wall behind is damaged with shattered debris, suggesting an impact or an explosion.

Here’s that body. This poor museum employee was an unfortunate victim of the collapsing ceiling. The rot is magical in origin, which is why it presents in glowing blues and reds instead of organic tones.

A statue with missing facial features stands next to a display board titled "Ancient Deathlore." The board gives information about death and disease folklore in Ancient Mesopotamia (4500 BCE - 1500 BCE).

Instead of leaving this clearly dangerous environment, we proceed to tour the Humanity’s Stories of Death exhibit, starting with Ancient Mesopotamia. The folklore included in the house is all fictional — no historical mythology has been represented, though influences were drawn from stories around the world.

A statue of a person with a bloodied face, lying against a wall adorned with two large tapestries depicting mythical creatures.

There’s another body, more graphically mangled, but we keep going anyway.

Corner of a dimly lit room with colorful, textured mold growth illuminated by blue and red lights. .

We were lucky enough to visit while lighting effects were turned on, giving us a look at the rot.

A wall-mounted abstract mask with blue LED lights illuminated against a textured background.

Some of it manifests in decay and destruction, as above, and some as the rot corrupting artifacts, as with the mask pictured here.

A taxidermy bear stands against a wall, surrounded by artificial greenery. Nearby, a plaque titled "Goblin Soil" hangs on the wall.

We also ran into an old friend — HHN Bear.

A dimly lit corridor with decorative old-fashioned storefronts and a curtain at the end, suggesting an indoor exhibition or museum setting.

Another gallery in the exhibit features goblins. The buildings have false fronts, made using scrim, that will showcase humans being cooked for a goblin feast when lit from behind.

Sign reading "Halls of Mourning" in Gallery G at the Museum of International Folklore, describing humanity's stories of death and mourning rituals, with a map highlighting a region in red.

Each part of the exhibit has a placard detailing the contents and showing where in the world the folklore “originates.” A narration will play throughout the house as if we are partaking in an audio tour of the museum, and the placards feature the indicators you’d find in a real museum to select the appropriate audio.

Close-up of an artwork featuring the text "Rotting Love" surrounded by an array of colorful, textured materials.

At last, we come upon the Rotting Stone. The signage was clearly one of the first things to be consumed. In a recurring theme this year (at least from the houses we already toured), there is no clear resolution to this house. Nobody stops the Rotting Stone. In fact, we witness an escalation at the end, and the implication is that it will continue to curse and rot in the future.

Slaughter Sinema 2

Outdoor structure with a large, weathered wooden wall and metal supports, adjacent to a curved building. Several stacked metal boxes are visible at the base. Blue sky with scattered clouds overhead.

Slaughter Sinema 2 is a sequel to one of the previous original houses in Halloween Horror Nights history (Slaughter Sinema from HHN 28). Like its predecessor, it features a series of horror B-movies playing out before our eyes. The facade is the same — a rundown drive-in movie theater in Carey, Ohio. At night, projections will play on the dilapidated screen.

A wooden snack stand features a "Hot Dog" sign and small window with a counter holding condiments, a radio, a basket of popcorn, and a popcorn sign on the wall.

We were fairly limited on photographable scenes in Slaughter Sinema 2, but a first look was given to USA Today along with some exclusive details from Laura Sauls, one of the masterminds behind the event.

A cartoon popcorn box character with arms, legs, and a smiling face is attached to a wooden wall. The character is labeled "Popcorn" and appears to be advertising or decorative.

We enter the same drive-in lobby, which is not in great shape, though unfortunately typical of the average surviving venue (support your local drive-in!).

A sign above a kiosk reads "$1 Hot Dog" with a picture of a hot dog. Two strips of yellow tape hang from the ceiling.

There are many reused props from Bugs: Eaten Alive, a house last year featuring, well, bugs. So many bugs. The HHN crew makes good use of props year after year, so expect to see many creepy crawlies all over the event. The drive-in has some well-populated fly traps hanging from the ceiling.

Image of a wall with "The Jester Motel" sign in green, a fleur-de-lis symbol above it, and a nearby window draped with purple curtains. Mardi Gras-colored garland decorates the top of the wall.

The first movie we enter is “Mardi Gras Murders,” where we step into a grizzly scene at The Jester Motel. Not pictured is the gratuitous amount of fake vomit all over this room. (Even the vomit is carefully themed — our late friends in this motel were enjoying a seafood broil, and the partially digested remains of their feast are visible in the puddles).

A bottle decorated with beads and a small disco ball sits in a bucket of ice, beside a colorful cloth adorned with yellow fleur-de-lis designs.

Irrelevant to the story but just as a fun cameo — guests can spot Mothman on a bottle of booze.

A cluttered wooden table with a vintage rotary phone, Mardi Gras beads, plastic cups, plastic containers with green liquid, a cigarette stub, a whiskey bottle, and a tall yellow drink container.

A tragic story plays out here. On the end table is an empty ring box.

A person in a colorful outfit is leaning over a balcony surrounded by plants. The scene is viewed through open French doors with white curtains.

The ring in question sparkles from our leading lady’s finger. She’s drooped over the balcony, where a Mardi Gras parade float can be seen passing by below through the use of forced perspective — an effect that makes objects look larger than life by playing with scale and dimension.

Actual props from Universal Orlando’s annual Mardi Gras event are featured here, and yes, “My Feet Can’t Fail Me Now” by Buckwheat Zydeco will play.

A dimly lit room features a blue door decorated with a Christmas tree and holly, a child mannequin in a green striped shirt, a wooden red bench, and a stuffed snowman on the floor.

Talk about a nightmare before Christmas… (sorry, bad joke). The stencil designs may look familiar to seasoned HHN fans — they were used in H.R. Bloodengutz Presents: Holidays of Horror in 2011.

A wooden room decorated with blue doors that have painted Christmas trees, red shelves holding various holiday-themed items, and greenery draped along the ceiling.

“Killer Kringles” is the B-movie featured here and the bloody corpses were plentiful. This room does feature the implied death of children, which some guests may find to be sensitive content.

A vibrant, multicolored abstract composition featuring organic shapes and various materials illuminated by a glowing light.

The last room we were allowed to photograph featured a mainstay of many nightmares — clowns. Not just any clowns, though. In “Night of the Undead Clowns,” we entered a clown graveyard (not to be confused with a Carnival Graveyard — as seen at HHN 28) that has been polluted by the same toxic chemicals responsible for Bugs: Eaten Alive.

A dimly lit metal barrel with the number 22 and some indistinct writing is illuminated by green light in a dark environment.

Bzzzcon dumped their waste without checking to make sure they weren’t resurrecting something just as terrifying as giant insects. That’s right, we’ve got Zombie Clowns.

Triplets of Terror

A cluttered outdoor area with a small house, garbage cans, boxes, a rug, and various scattered items.

The last of the original houses on the tour is Triplets of Terror. We start out at the Barmy household in Toledo, Ohio — street number 3324 (see what they did there?). The Barmys are hoarders, but as always, the HHN propmasters are hiding things in the clutter.

A pile of various items, including a plaid shirt, a large speaker, and miscellaneous containers, is arranged haphazardly in a cluttered outdoor space.

A lot of foreshadowing can be found here in the yard and on the porch, like this dog food dish.

DoesTheDogDie.com doesn’t have a section for Halloween Horror Nights, so I’ll answer the big question for you now: yes. Graphically. If you visited in 2019, you might remember the bisected puppy from Depths of Fear — that prop is back again.

An old yellow chair holds a worn-out stuffed toy, while a wooden wagon next to it is filled with various dirty, damaged dolls and toys.

There are also several decapitations, as foreshadowed by these mutilated dolls. It’s almost like the Barmy parents should have seen this coming.

A cluttered shed with a metal shelving unit holding various tools, a green hose, and a spray bottle. Nearby are a shovel, rake, folding chair, and sled. A lattice panel and wire fence in the background.

Another Bugs: Eaten Alive Easter egg is here in the form of a bottle of ExterminAir, the chemical culprit for the mutant insects.

A table set for a party with stuffed mannequins, some headless or bloodied, and food items like popcorn, cakes, and plates of food. The scene has a horror-themed decor.

Inside, we come upon the birthday party for triplets Melody, Harmony, and Junior. At least their parents won’t have to go on the evening news and pretend they didn’t see the warning signs.

A table set for a celebration with multiple cakes, plates of food including chicken and green peas, a large striped container, a jug of drink, and colorful party hats.

Chicken dinner, anyone?

The triplets are seen at the scene of their crime before we jump forward in time, following them on a murder spree across the country. They can’t seem to move past this birthday, for some reason, and we come upon their preparations for a recreation.

A person is taking something from the refrigerator in a kitchen cluttered with baking items, a baseball bat, glove, and flour sprinkled on the counter.

This teen is a little preoccupied and doesn’t seem to realize there’s something amiss in the family kitchen.

Two large M-shaped lines are brushed into a light dusting of snow on a dark surface.

Our trio leaves a calling card behind in the flour.

Kitchen countertop with a plant, stacked "Live, Love, Bark" blocks, two mugs hanging on a wooden stand, a smart speaker, a dish drying rack holding pans, and some mail.

Remember when we said the dog dies? It’s the scene directly after this kitchen, heralded by an ironic “live, love, bark” sign.

A house window with blue trim and white curtains, a closed red grill, a hose reel, and a stack of gardening tools are visible in front of the house.

To borrow a joke from our tour guide, locals may not recognize this murder weapon. It’s a snowblower! The triplets go from place to place, collecting everything they need for an unforgettable celebration.

A brick-walled indoor space with a large photograph of an urban alleyway on the back wall, a hanging lamp, a cardboard box, and overhead industrial lighting structures.

We follow their trail through an eerie back alley before coming upon the scene of their final masterpiece.

A gruesome scene of a decomposing body inside a metallic container, surrounded by blood, and partially covered in fabric.

There’s no way around it: this house is gross.

Stacked boxes with stain marks are partly covered by a blanket, with a doll partially visible among the boxes.

They’ve even brought their own presents as they strive to recreate the day they murdered their parents.

A horror-themed decoration with a disfigured, bloodied mannequin head hanging next to a sign that reads "birthday" in red, flesh-like letters. Streamers hang nearby.

The entrails of an unfortunate man make up their birthday banner.

A table set for a macabre celebration features a decayed figure in a party hat beside cakes with lit candles, another smaller figure appears in the foreground, also with a party hat.

The fake cakes are pretty realistic, though our appetites are ruined by the decor.

Halloween Horror Nights 33 kicks off on August 30 and runs on select nights through November 3 at Universal Studios Florida. This year’s lineup includes six original houses (including the three we’ve toured here) and four IP (intellectual property)-based houses, and five scare zones. We’ll be bringing you full coverage of the event, so stay tuned for everything you need to know before you go.

Which of these original houses are you most excited to experience when Halloween Horror Nights 33 begins? Let us know in the comments.

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